Finding their way after Lost

Not leaving, no. Moving on.

Where are we going?

Let’s go find out.

It’s been three years since Lost went off the air. It came along at the same time social media gave us a way to interact across the globe in real time and gave rise to what we now call second screening. The show’s sprawling mysteries and rich character development fed perfectly into these new platforms. Fans took online communities to more engaged levels than any show previously, debating theories and sharing background information on things mentioned in the latest episodes. In that way Lost was probably the first truly social television show. Its serendipitous timing helped it create some amazing bonds with its viewers.

That worked out marvelously for ABC and the show itself while it was on the air. How has it worked out for the show’s stars since May 23, 2010? Have their careers continued to grow or have they sunk like poor Michael’s raft? The answer is mixed.

Some found new lives with new characters. Michael Emerson is killing it as secretive computer genius Harold Finch on Person of Interest; Daniel Dae Kim is doing just fine on CBS’s remake of Hawaii Five-0. Emilie de Ravin floated for a while before landing on Once Upon a Time, which is led by former Lost writers Adam Horowitz and Edward Kitsis. Everyone’s favorite Scot, Henry Ian Cusick, found parts on Scandal, Fringe, The Mentalist and ABC’s recently canceled Body of Proof. Ian Somerhalder didn’t even make it to Exodus but will always be Boone, even though his star has risen on The Vampire Diaries.

Others (no pun intended) have roles in the works that could put them back on TV’s map. Naveen Andrews and Josh Holloway will be on CBS this fall. Holloway sans locks (again, no pun intended) as some kind of cyber cop in Intelligence, and Andrews opposite Stephen Lang in Reckless. Holloway improved as much as any of the actors who stayed with the show from start to finish so hopefully CBS is giving him something to work with. Andrews also has a huge role opposite Naomi Watts as Princess Diana’s lover, Dr. Hasnat Khan, in Diana, which will be released later this year.

Yunjin Kim, who doesn’t do much American work, co-stars with Alyssa Milano in ABC’s upcoming summer drama Mistresses. It’s hard to come to any conclusions about her post-Lost career because I simply don’t pay much attention to Korean entertainment.

A couple fan favorites landed roles on new shows that never made it beyond infancy. Jorge Garcia had a role in FOX’s Alcatraz in addition to three appearances on a Matthew Perry show you’ve never heard of. Terry O’Quinn starred in the short-lived 666 Park Avenue after appearing in 11 episodes of Hawaii Five-0 with Daniel Dae Kim. Elizabeth Mitchell did V and now co-stars in Revolution. Dominic Monaghan’s post-Lost career still hasn’t taken off after Flash Forward was unfairly canceled.

Matthew Fox tried his hand at a movie before Lost was even over. Since The End his most notable work has been the freakish way he transformed his body for the Alex Cross movie, not his role opposite Tommy Lee Jones in some World War II movie. He’s also in World War Z, a zombie movie. Yikes.

Evangeline Lilly is a face for L’Oreal Paris but her only acting work has been in The Hobbit, which she began just three months after giving birth.

This is surprising and probably disappointing to a lot of us who still want to see our favorite stars every week. I think the way we expect actors to move from one successful show right into another ignores how difficult it is to find success in Hollywood. Networks just finished announcing their fall lineups full of new shows that will most likely fail or sputter for a season or two before being put to sleep. Few will make it beyond that and fewer still will become legitimate hits. To expect this handful of actors to be in those few shows is asking lightning to strike twice.

I also have to wonder how much their strong identification with one character might hurt them. O’Quinn did well on 666 Park but will we ever see him as anyone other than John Locke? To his credit, Michael Emerson plays his character so well on Person of Interest that I rarely think of Ben Linus. (Much of that is probably due to his character’s limp.) It’s a sort of catastrophic success unique to Hollywood: Being so good at your job that no one can forget it. Time will tell if Josh Holloway can make us forget Sawyer or if Evangeline Lilly’s freckles will always make us think of Kate.

As Lost’s stars find new roles, on television or the big screen, they will find a dedicated portion of their new viewers who look quite familiar, thinking back and smiling at the show they shared together, with a simple message:

We’ve been waiting for you.

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Once upon a flop

My original thoughts on Once Upon a Time with additions now that the season is over.

Emma Swan does not belong in Storybrooke.

Her look is all wrong. She wears red, deep and rich leather. Her hair falls carelessly across her shoulders. She wears a tank top. No one in Storybrooke even has a tank top. Storybrooke, Maine, has the visual style of a seaside small town. Its people are pleasant and content. Its colors are subdued in blue, green and gray. That is not Emma Swan. In the city, where she is supposed to be, she would not look the least bit out of place. But this is Storybrooke. Nothing is at it should be.

Addition:

Once Upon a Time really fell apart for me as the season wore on, in part because little things like this were discarded. Or maybe it wasn’t even there to begin with. /addition

ABC took this risk before, once upon a time. In 2004 it put a show on the air unlike any viewers had seen in some years, maybe ever. Perhaps because of their proven storytelling as writers on that show, the network gave Edward Kitsis and Adam Horowitz the green light for a project they conceived together before joining Lost midway through its first season. For Once Upon a Time to prove itself a success, they will have to have some creative magic left in their tank.

Addition:

I don’t think they do. The ratings say otherwise and it got picked up for a second season, but it lost my interest for being too juvenile. /addition

We meet Emma doing her job as a bailbondsman, er, person. She finds people. On her 28th birthday, she is found by the son she gave up for adoption 10 years prior. Henry is one of those children Hollywood always seems to find who is sufficiently smart. He convinces Emma to bring him back to Storybrooke, where he is the adopted child of a single mother, the mayor. With dark hair and grayscale fashion, Regina Mills is the epitome of an ice queen. She’s been the mayor of Storybrooke for as long as anyone can remember, and that’s exactly how she wants it to stay.

Henry wishes otherwise. We don’t yet know exactly why or how, but Henry believes his birth mother is the child of Snow White and Prince Charming, escaped from the fairy tale at birth right before the Evil Queen’s dark curse brought ruin. He brings her to Storybrooke on her 28th birthday, the time it was foreseen when she would return to break the evil curse. Emma sees enough to want to stick around, much to the delight of Henry and the despair of Regina.

Addition:

We never seemed to really get the why or how, one of this show’s many failings. /addition

Lost’s finger prints are all over Once Upon a Time. Like Lost, Time’s story bounces between to worlds — one the placid Storybrooke and the other a fairy tale. Although, Storybrooke is more like the flash sideways in that its inhabitants don’t know that their lives are not at all what they seem. Just like the escapees from the island, they are waiting to see, even if they don’t know it yet. The black smoke the Evil Queen conjures for her curse needs no explanation. And in probably the most blatant homage yet, Emma wakes up in jail after a car wreck in a way we saw someone on the island awaken and, ultimately, go back to sleep.

Kistis and Horowitz pledge Once will be a show steeped in character rather than mythology, and that’s good. Being based on one of culture’s most famous fairy tales gives the show all the mythology it needs. If it is going to keep viewers it will need the hooks that compelling characters provide.

Addition:

It doesn’t have those hooks. The characters are boring and shallow. It is as if they went too far away from complexity in trying to not trip in Lost’s pitfalls. In doing so they created a show better fit for Saturday mornings than Sunday nights./addition

Once Upon a Time is a daunting challenge. A fairy tale told to a prime time television audience? In 2011? Amidst the sprawling family of crime tech from CBS and more mature offerings of FX and premium cable channels? Once has to convince viewers to suspend their perception of what is and can be real so the show can have unfettered access to their imaginations, where it must and can only survive.

I will grant it because I like fantasy stories with unbelievable fictions, and my imagination is free to anyone who knows where to find it. Once Upon a Time has shown through two episodes to feature charming acting, intriguing curiosities and something else. Something not found in the gritty alleyways of dark and mysterious dramas. Something…Storybrooke.

Addition:

People are obviously buying it. I’m not. Once Upon a Time was too rambling in its week-to-week stories to keep my interest. The main characters are Emma, the kid, the queen, Mr. Gold, Snow White and Prince Charming. Way too many episodes about people other than them. In the aftermath of Revenge’s season finale, I can’t help but think how different and how much better the show would be if Madeline Stowe played the queen. 

Boring, meandering, shallow. It will be nice to have an hour to get things done on Sunday nights next fall before Revenge. 

Once Upon a Time

Emma Swan does not belong in Storybrooke.

Her look is all wrong.  She wears red, deep and rich leather. Her hair falls carelessly across her shoulders. She wears a tank top. No one in Storybrooke even has a tank top. Storybrooke, Maine, has the visual style of a seaside small town. Its people are pleasant and content. Its colors are subdued in blue, green and gray. That is not Emma Swan  In the city, where she is supposed to be, she would not look the least bit out of place. But this is Storybrooke. Nothing is at it should be.

ABC took this risk before, once upon a time. In 2004 it put a show on the air unlike any viewers had seen in some years, maybe ever. Perhaps because of their proven storytelling as writers on that show, the network gave Edward Kitsis and Adam Horowitz the green light for a project they conceived together before joining Lost midway through its first season. For Once Upon a Time to prove itself a success, they will have to have some creative magic left in their tank.

We meet Emma doing her job as a bailbondsman, er, person. She finds people. On her 28th birthday, she is found by the son she gave up for adoption 10 years prior. Henry is one of those children Hollywood always seems to find who is sufficiently smart. He convinces Emma to bring him back to Storybrooke, where he is the adopted child of a single mother, the mayor. With dark hair and grayscale fashion, Regina Mills is the epitome of an ice queen. She’s been the mayor of Storybrooke for as long as anyone can remember, and that’s exactly how she wants it to stay.

Henry wishes otherwise. We don’t yet know exactly why or how, but Henry believes his birth mother is the child of Snow White and Prince Charming, escaped from the fairy tale at birth right before the Evil Queen’s dark curse brought ruin. He brings her to Storybrooke on her 28th birthday, the time it was foreseen when she would return to break the evil curse. Emma sees enough to want to stick around, much to the delight of Henry and the despair of Regina.

Lost’s finger prints are all over Once Upon a Time. Like Lost, Time’s story bounces between to worlds — one the placid Storybrooke and the other a fairy tale. Although, Storybrooke is more like the flash sideways in that its inhabitants don’t know that their lives are not at all what they seem. Just like the escapees from the island, they are waiting to see, even if they don’t know it yet. The black smoke the Evil Queen conjures for her curse needs no explanation. And in probably the most blatant homage yet, Emma wakes up in jail after a car wreck in a way we saw someone on the island awaken and, ultimately, go back to sleep.

Kistis and Horowitz pledge Once will be a show steeped in character rather than mythology, and that’s good. Being based on one of culture’s most famous fairy tales gives the show all the mythology it needs. If it is going to keep viewers it will need the hooks that compelling characters provide.

Once Upon a Time is a daunting challenge. A fairy tale told to a prime time television audience? In 2011? Amidst the sprawling family of crime tech from CBS and more mature offerings of FX and premium cable channels? Once has to convince viewers to suspend their perception of what is and can be real so the show can have unfettered access to their imaginations, where it must and can only survive.

I will grant it because I like fantasy stories with unbelievable fictions, and my imagination is free to anyone who knows where to find it. Once Upon a Time has shown through two episodes to feature charming acting, intriguing curiosities and something else. Something not found in the gritty alleyways of dark and mysterious dramas. Something…Storybrooke.