8 One-Season TV Wonders To Binge On A Snowy Weekend

The forecast is dire. Schools are closing early. Target is out of everything. Your boss even told you to bring your laptop home, just in case you can’t make it in Monday.

This can only mean one thing: A blizzard’s a brewin’, and you’re gonna be snowed in all weekend.

Your ancestors would have played board games. Or card games. Or watched a VHS tape. OR EVEN TALKED TO YOUR FAMILY. Fortunately you live in the age of streaming and none of this awfulness will befall you. You got options.

When a winter storm threatens to keep you curled up inside for days with nothing but streaming to do, here are great one-season TV shows to keep you entertained.

Last Resort

If you like military-government conspiracy stories with a dash of romance and a whole lot of Andre Braugher (Brooklyn Nine Nine) you will eat up all 13 episodes of Last Resort. The story kicks off with Braugher, as commander of a nuclear submarine, refusing to obey an order to fire a nuclear strike at Pakistan. Braugher’s character has doubts about the legitimacy of the order and, as we see, there’s good reason to.

The story unfolds in the close quarters of the submarine, the French island it seeks refuge on and in Washington, D.C. You never know who to truly believe, who is on which side or which side is the good side. Last Resort includes a guest appearance from Ernie Hudson (Oz, Ghostbusters) that may have been the most dramatic moment in the short-lived series.

There are too many finer points of the story to give a more thorough overview of how Last Resort unfolds, but I’ll stake my claim that it’s among the most intense, heart-stopping episodes of any series I’ve ever seen.

If it’s so great, why’d it get cancelled?
Conventional wisdom chalks it up to an ultra-competitive time slot and a failure to attract female viewers. The premiere earned 9.3 million viewers, but it lost more than one-third of them by the time ABC gave it the ax in November.

Does it get resolved?
Yes! ABC cancelled the show with enough time for the producers to re-tool the 13 episode into a series finale. It ended in January 2013 and there’s no chance anyone will revive it.

The Last Tycoon

The pilot episode for Amazon’s The Last Tycoon drips classic Hollywood. The women have elaborate hair and vivid lipstick, the men wear sharp suits and speak with deep voices. The characters even move as if they could slide right into a classic Hollywood song and dance – and they do halfway through the first episode.

I watched the pilot on a stationary bike at the gym. Like the same for This Is Us, it was so arresting I found myself blowing past my 30-minute goal and watching the entire episode. Amazon released the rest of the season a full year later, but it was worth the wait. I’ll caution that the story does wander a little from the early episodes – don’t get too invested in the Nazi angle. The primary focus is wunderkind producer Monroe Stahr (Matt Bomer) and his tight-fisted studio head, Pat Brady (Kelsey Grammer).

The key to enjoying The Last Tycoon is to remember that, like Lost, the show is about the relationship between the characters and not the events around them. And simply enjoying the look and feel what we all imagine Hollywood must look like on its best day. A spiff for studio buffs: It’s produced by Sony but you’ll recognize it as being shot on the Paramount Lot.

If it’s so great, why’d it get cancelled?
Amazon Studios purged several expensive shows in September (Z: The Beginning of Everything being the biggest name). The Hollywood Reporter cited mixed reviews but you could also assume it was too expensive to continue as Amazon reportedly searches for it’s own Game of Thrones. Good luck with that.

Does it get resolved?
The main storylines from season one come to a satisfying enough conclusion before a cliffhanger in the final scene. That comes with the territory for these one-season wonders. It’s unlikely to get picked up.


I called Awake “intriguing” when it premiered in 2012 and claimed “This show is so good and so superbly done that it will be on the air for a long, long time.” Well oops about that. But it is phenomenally great. Go through to read my two-paragraph synopsis of the pilot to see how much I loved it.

Lots of shows go heavy with characters; lots of shows go heavy with mystery. Awake went heavy on both and intertwined them in a way that required them to give viewers an answer to both. Unfortunately, audiences weren’t buying and it never got that far.

If it’s so great, why’d it get cancelled?
MetaCritic users rated Awake their second-favourite new show of the season behind Revenge. Given how rapidly that show declined, I would love to go back in time and swap their fates. Awake premiered to 6.24 million viewers, nearly two-thirds of which bailed by the finale.

Does it get resolved?
Unlike Last Resort, Awake was in the can when it got canned. It’s not giving anything away to say the big mystery here is which reality was real. But remember: Characters.


I’m breaking the rules here. Fortitude got a second season, but the first could stand on its own. It’s so damned good and perfect for a snowed-in weekend because it’s set above the Arctic Circle in the fictional town of Fortitude. Everyone there is cold and resigned to the fact that there will never, ever be a time without snow and ice. Just like you are when you look out the window.

The idyllic yet insular setting gives Fortitude the perfect foundation to tell a slow mystery with a hint of darkness lurking at the edges. This story couldn’t take place anywhere but the most northerly settlement on Earth. If you had to categorize it, you’d draw a triangle with character-drive, sci-fi and psychological thriller at each corner.

This is a European show, and even thought it’s in English the American audiences might need subtitles for the accents and you should be aware that there’s levels of penis only seen stateside on HBO. Speaking of HBO, Richard Dormer plays the main male supporting role. Game of Thrones fans will recognize him as Beric Dondarrion.

Barely Honourable Mentions

The Event, NBC. This show tried, but it just didn’t work. It would have been better as a movie. Like, a Michael Chrichton movie. The government was hiding some aliens, some of the government was aliens. The Event premiered post-Lost and thought it could get away with the same flashbacks Lost used to perfection. It couldn’t and just confused people. NBC gave it huge hype and it premiered strong, then lost half its audience and died.

Flash Forward, ABC. Flash Forward premiered near the end of Lost, and there’s no doubt ABC had hopes it would bring many of us over. As I wrote at the time, the premiere covered a lot of ground quickly, which Lost fans would have loved. It brought a lot of mystery, much of which I enjoyed. Few others did. Go read the book.

Terra Nova, FOX. One of the things I loved about Lost was the way it started with a very small setting that expanded over time. First there was the wreckage on the beach. Then came the camp and the caves. We discovered the island with the characters as they ventured during season one before blowing things wide open starting with The Swan in season two. By the end of the series, the beach had a nostalgic “Oh yeah, remember when Lost was just the beach?” place in fans’ hearts. Terra Nova could have had that, but it sucked.

Tell Me You Love Me, HBO. So remember when I warned you about the penis in Fortitude. It’s nothing compared to HBO’s study of the sex lives of three couples who see the same therapist. The “Did You Know?” feature on Tell Me’s IMDB page actually has to disclaim that the sex scenes were simulated, even though no one would forgive you for thinking you were watching straight up porn. It somehow got renewed, but the second season never aired because there wasn’t anything in the first worth continuing.

Stay warm.

Second Resort

I can save Last Resort.

My mildly-scathing take on why Last Resort won’t get a second season earned me a lot of criticism, particularly from fans who thought it was unfair to criticize the show for avoiding story lines when it ultimately had only one year to tell them. The reality is I wasn’t criticizing Last Resort for not resolving them, I was blasting the show for not pursuing them. We all understand a show is going to leave loose ends when it gets canceled in mid-season. Last Resort’s writers committed the mistake of not even creating loose ends.

This week’s penultimate episode rushed viewers to the mind-blowing end of the coup attempt in Washington that was supposed to clear the way for the Colorado’s friendly return to US shores. Shocking is the only word to describe the way the coup ended, and it shows that despite their storytelling failures the minds behind Last Resort know how to thrill an audience.

The big frustration I expressed in last week’s piece was the amount of dramatic material we weren’t seeing but had to be occurring in order to provide the plots we did see unfold. That frustration grew after Speaker Buell committed suicide on his rostrum. There’s no way the show can wrap up the Colorado’s fate and do justice to the story behind the man walking up to whisper in Buell’s ear. That’s too much for 42 minutes. I got to thinking how Last Resort really held two co-dependent dramas in one show. In one storyline, a United States submarine deals with the consequences of refusing a questionable order to launch a nuclear missile strike against Pakistan. In the other, a fight for control of the US government breaks out after the covert murder of a United Nations weapons inspector in Pakistan. Each plotline reacts to developments in the the other but can standing largel on its own. That’s when an idea hit me that could save the show.

“What if they brought Last Resort back, but the opposite?” What if, instead of episodes dominated by the Colorado, we get episodes – set concurrently with the season we already saw – focused entirely on what led to the mysterious fire order and the subsequent attempt to overthrow the president? Leading into the finale, we know that the US executed a weapons inspector in a plan to launch nuclear war on Pakistan, files on a cloaking technology are stolen to protect the knowledge of the Colorado’s location at the time of the order, a coup is planned and unravels at the last minute resulting in the confession and suicide of the man who would have been president. Most mysteriously, the suicide comes after a man in the appearance of a security agent interrupts the Speaker right before he declares himself the president.

See what I’m getting at here? Bring Last Resort back for a second season in which Marcus Chaplain and the Colorado are only relevant to the extent that their actions are necessary to explain what is happening in Washington. Make Last Resort into a political thriller (the likes of which ABC is already succeeding with in Scandal) about a corrupt president and the effort set out to depose him. Just like Chaplain and his crew had to decide between following orders and doing what they believed was right, Kylie Sinclair and Admiral Shepard can be shown in their crisis of conscience that leads them to go against their country’s government. The coup attempt obviously had a faction within it that doubted its course, just like the split that developed between Chaplain and the COB. Tell that story. There are enough similarities between the storylines to tell the second one in a completely different setting than season one but still maintain the core elements that let you know you’re watching Last Resort. And because it is happening at the same time as what we saw thus far, taking a season to tell the story won’t make us miss anything on the submarine. There may even be opportunities to add new material that boosts the Colorado’s story.

After the faux season plays out, the show would be ready to bring the two storylines back together in a third season. With a new audience and more practiced leadership, we could see the aftermath of whatever is set to happen in next week’s final episode.

Obviously, this is pure fantasy. Last Resort’s finale is in the can and set to air next Thursday. With all indications being that it will be a true ending, the show can’t be un-ended and re-launched. But maybe, juuuuuuust maybe, ABC will have a change of heart, pull the finale and give us a second Last Resort.

The Last Resort

This view of ABC’s soon-to-be-sunk Last Resort is so over the top in its praise of the show it reads like it was written by the show’s PR department. Last Resort is not “brilliant” – far from it – and it doesn’t have strong female leads. I could go along with saying it deserves a look from another network, but with all indications being that the writers had enough time to film a legitimate ending, it doesn’t seem likely.

Last Resort had a premise with loads of potential. How did it go wrong and not even make a full season?

The pilot was, in a word, fricking outstanding. Out. Standing. The submarine – the USS Colorado – under the command of Marcus Chaplain defied orders to make a nuclear strike on Pakistan due to Chaplain’s concern over receiving the message thru a secondary protocol that is only supposed to be used when the government has failed. When the apparently-not-failed government threatened to destroy his ship, Chaplain retaliated by firing a nuclear missile at the nation’s capital. The writers let several dramatic minutes pass before the nuclear warhead detonated…200 miles off the east coast. A commanding speech to the world by Chaplain near the end of the episode solidified him as the dramatic center of the show. Andre Braugher fulfilled the role with great deftness as the definitive authority of his boat dealing with an extreme crisis of conscience. Braugher is not the reason Last Resort failed.

Once the pilot ended and the show’s plot had to be unwrapped, the writers went at it like a greedy punk kid at Christmas, tearing through the story so haphazardly that they destroyed their present. This was its downfall.

There had to have been a reason the order to fire on Pakistan didn’t come through the standard chain of command. That’s a political intrigue. Viewers love political intrigue. Had the United States government been decapitated? The writers didn’t seem to care. They sent the show on a boring chase for some military tech developed by a powerful national defense family. How relevant that was to why the sub got questionable orders to fire a nuclear missile, I was never really clear. The tech figured prominently in getting the boat out of one life threatening situation and seems to have been forgotten about since. It was like watching Dogan in the temple all over again.

Finally, in the first episode of its four week sprint to eternity we got some hint of what happened leading up to the pilot. The president ordered an assassination on a United Nations weapons inspector which would be followed by the rogue order to launch nuclear war. Awesome! Why would a president do that? Was he being blackmailed? Was he a traitor? Was there an effort to stop it? How might that have played out? How did something like that affect the people involved? I have no idea. We have no idea. Maybe we will find out over the final three episodes, and I hope we do. But it’s too late. That’s just too much to leave out of a primetime show. It puts enormous pressure on what does make it into each episode. Last Resort couldn’t hold up.

The plan to manipulate LC Sam Kendall’s wife into turning him against Chaplain was obvious but still so poorly done as to be annoying. I completely expect a military wife to be fully devoted to her husband and vice versa, but you still have to earn it with me as a viewer. Last Resort didn’t. I’m not even sure it tried. Failing to invest in it was evident when their eventual reunion failed to deliver an emotional punch. (Desmond and Penny, anyone?) Her sudden death was surprising, but even that was undone by the end of the episode. Two characters in love don’t make a primetime love story. Two characters viewers love make a primetime love story. We were never made to love Sam and Christine.

Last Resort’s best storytelling may have come in the episode in which one of the sailors was tried for raping a woman from the island. Chaplain put Lt. Grace Shepard in charge of the case and by the end we learned that she is a rape victim. Powerful stuff that illuminates a character. We didn’t get much of that background for the other secondary characters even though it is all sitting there waiting to be told.

What did the French researcher leave behind live on this island and look for rare Earth minerals? How did the island’s despot come to power? How did a young woman come to run her own bar? Why is one of the sailors spying on her own country? If you enjoy good television, wasted potential like this should leave you seething. Much has been made of Shawn Ryan’s run of bad luck that now includes Last Resort. It ain’t bad luck. Hollywood should take out a restraining order against him on behalf of good material. He and anyone else responsible for how this story was told ought to have their keyboards confiscated by time travelers who can ensure they never touch them again.

Well then what did Last Resort have right that I enjoyed it enough to be disappointed? I think it did the drama exceptionally well. The trap of a show about a submarine is spending too much time threatening to sink the sub. Last Resort avoided that, creating dramatic situations that were intense and entertaining even in the absence of great character-based storytelling. Give the show credit for that. I would even say that alone could have been strong enough to overcome the show’s faults. Saying so only makes it that much more disappointing that they couldn’t put storytelling and drama together. They could have made the kind of show people hang on every spring and can’t wait for every fall.

Some have said Last Resort was too masculine and that it faced stiff Thursday night competition. Both probably carry a kernel of truth. Both are minor reasons compared to its overall failure to develop a better story. So, sorry, Yahoo Contributor Network bro, Last Resort didn’t take any chances, and that’s why it’s about to get dry-docked.