“Before you embark on a journey of revenge, dig two graves.”
So Confucius warns us in philosophy, so Emily Thorne warns us on ABC. If they are correct, can one of them be for Revenge? Creator Mike Kelley is out as showrunner, will that satisfy the bloodlust of ABC’s grim reaper?
I defended season two earlier this year when no one else would. That was before dead Padma turned Nolan Ross into a whimpering pile of nerd alert. This show has gone off the rails in so many ways. Let us count them now.
Emily’s mom. The revelation that Emily’s mom was still alive bombshelled last year’s finale. This will change the show and everything for Emily. Where has Mom Clark been? Does she even know she’s Mom Clark? Is she in [scary music] The Initiative? [/scary music]. No. Mom Clark is crazy under the manipulation of the silver-haired man. Aaaaand thaaaat’s allllll. She was in and out of the story so inconsequentially fast that it leaves you wondering why they brought her in in the first place. What a waste of a potential character and storyline.
Padma. Dear, sweet, stupid and dead Padma. [scary music] The Initiative [/scary music] kidnapped her dad so it could force her to steal a piece of unfinished software from Nolan that [scary music] The Initiative? [/scary music] would then use to, well, to something. We got a hint at what the software was, but then dear, sweet Padma found herself at room temperature. Gone from the story and from our lives. How ever will we move on? (This is a marker so if she turns out to not be dead I can come back and say I told you so. They never showed Aden checking her pulse.)
Trask. Trask was the new handler for [scary music] The Initiative [/scary music] in charge of the Graysons. He took over for the sultry Helen Crowley, who Victoria killed. But then Aden killed Trask. Now [scary music] The Initiative [/scary music] has no one.
Wait, what the deuce is The Initiative??? Oh, right, it’s the thing we found out about in last season’s finale that forced the Graysons to frame David Clark. Um, yeah. We know exactly nothing more about it now than we did then except that two of its staff members are dead and it wants some software from Nolan Ross. Oh, and it tried to control Daniel Grayson, too.
Ahh, Daniel. His alignment with his family last season was the high point of the show, and we were so excited (squee!) that he would finally be more than just really, really sculpted muscles. He even orchestrated Conrad’s ouster from Grayson Global…only to fall instantly under the direction of The Initiative. Buzzkill. He started doing Ashely (or was that last year?) but is now so totally hot for Emily again and back to being dumb and hunky.
Speaking of dumb, let’s talk about Jack Porter. He was annoying when he was the barkeep who couldn’t get over a girl he knew when he was 10 – move on, loser – but then when she was killed he started to do some plotting of his own and now he’s even more annoying than when he was the stupid bartender! When he comes on the screen, I swear to god. Can’t there be a freak CO2 canister accident at the bar or something?
Conrad. Is running for governor. You don’t care, and neither do I. Like Padma, this storyline is time that could be better spent on something interesting.
I forgot to mention Emily’s foster brother. I wish they had, too.
Revenge has fallen so far from its first season highs that even Victoria Grayson is a shell of her former self. With her abortion exposed as actually child abandonment, she went crawling to Nolan’s office to ask him to track down her missing son. I used to watch scenes with excitement for what she might do next. Now I feel sad that Madeline Stowe is being given so little to work with.
No one is. The season is half-assing so many storylines that it’s not whole-assing any of them. I touch on the marks above without mentioning Jack losing the bar, faux-Manda’s public outing as Emily, the Ryans or Emily’s secret affair with Aden. Last week it sunk far enough down to have Charlotte making out with another girl at a bar. When it goes lesbian kiss, you know the creativity at rock bottom. They are also killing off another major character in the season finale. I think death can boost a story (see: Boone Carlyle) but others see it as a cheap gimmick boost sagging ratings.
Speculation about Mike Kelley’s ouster includes his push for the show to be in condensed seasons like FOX gave The Following. ABC should look at this season and realize that he was onto something. Had the season picked any few of these storylines and run with them, it could have been very good. But it is really hard to fill 22 episodes and Revenge is showing us exactly why.