Game of Thrones, Season 7 Premier: Snap Reaction

Winter is here, and it’s about damn time. Daenerys sailed west, and it’s about damn time. Game of Thrones has always been thrilling and intriguing, but after six seasons it was time for the over-arching story to pick up speed. The time for pissing matches was over, the time for war had come.

The season six finale brought that speed and put the three characters in place who will fight to keep, hold and entrench power during seasons seven and eight. Jon Snow is King of the North, Cersei sits on the iron throne and Daenerys is about to make land in Dragonstone.

Good. It’s time for what we’ve been waiting to arrive and for the wait to pay off.

And now, thoughts.

Arya Stark is a serious bad ass. “When people ask you what happened to you, tell them the north remembers. Tell them winter came for House Frey.” Well alright! Arya’s mask is going to make her ultimately powerful, and I like the addition of more magic. But I hope the writers use it sparingly. A character with the ability to be any character is easily abused. I don’t want to sit her wondering if I’m looking at Arya or the real character.

Jon Snow as mining industrial dictator is going to cause problems, as is Jon Snow the king of equality. If his decision to not exact homestead revenge on the Karstarks and Umbers doesn’t cause unrest that undermines his kingery, these two acts will.

I look forward to watching Littlefinger (my favourite character on the entire show) try to fan the flames of a divide between Sansa and Jon. He enjoyed seeing her combat Jon over the traitorous Karstarks, and the look on her face after Jon declared that yesterday’s wars don’t matter betrayed more disagreement than their one-on-one conversations let on.

That’s Petyr’s influence, but don’t count on Sansa to knuckle under to his manipulation. She’s strong as ice, as evidenced by the way she told him off in front of Brienne.

Speaking of Sansa, I’m curious to learn more about the things she learned from watching Cersei. Sansa’s tough and Cersei’s cunning would be a formidable combination. I look forward to seeing that play out. Perhaps this “murdering whore” will get to confront Cersei and take vengeance on the evil queen.

The death of Jamie’s children falls almost entirely at Cersei’s feet. I’d love to see her relationship with Jamie broken and Jamie turn against her. The Lannisters are fiercely loyal to each other…well all except for one and Jamie hasn’t turned his back on Tyrion the way his sister has. Their conversation about dynasty shows he feels their deaths more than she does. It’s almost the reverse of the stereotypical war-mongering father and emotional mother.

Poor Tarly. All he wants to do is read but here he is cleaning shit pans. What’s his role here? How does book boy fit into the bigger battle? Does he figure out some historic secret to defeating the white walkers? He will bring the one who begins the memories to the war. Or find a mountain of dragon glass. That’ll do.

God I hate celebrity cameos. We all know that was Ed Sheeran. And it ruined everything.

What’s the legal drinking age in Westeros anyway?

Arya says she is going to Kings Landing and kill the queen. The boy soldiers laugh, but the audience believes her.

Oh yeah, the Mother of Dragons.

House of Cards Season 5: The Underwood split begins

 

I’ve always thought House of Cards was about relationships. Frank and Claire, Frank and Doug, Frank and Catherine, and on and on. But Frank and Claire above everyone else. After watching season five during baseball’s All-Star break I still think this is true, but I have a more refined view of what it means. The story isn’t simple about relationships. It’s about dominance in relationships.

Frank dominated Claire in the early seasons. She thought they were equals, and he willingly let her think so. That caught up with him through seasons three and four and it nearly broke their marriage. It wasn’t until Claire orchestrated a race scandal to damage his primary campaign that Frank truly viewed and treated her as an equal partner in their marriage. Claire got on the presidential ticket, and their marriage was restored.

For a while.

Dominant Frank returned in season five, asserting his own will and making decisions that contradicted or ignored Claire’s input. His ultimate show of dominance came, ironically, when he resigned the presidency and demanded – without consulting her first – a full pardon from his wife-turned-president. Claire hesitated and vocalized her obvious realization to Frank that he left her no choice. In that conversion she revealed, however subtly or not, that she knows the equal partnership is over.

Season five ended with the new President Underwood ignoring Frank’s calls and declaring to an empty Oval Office, “My turn.” In season six I hope we’ll see the complete and final sundering of the Underwood marriage.

What would that look like?

We know what we get from House of Cards at this point. Frank and Claire never really resolve any of their problems. They just get past them by creating a new, more chaotic problem. When that fails, they kill people. Witness Zoe Barnes, Peter Russo, Tom Yates and (possibly) LeAnn Harvey. So expect the same rolling cavalcade of chaos as we’ve seen for five seasons, with each decision leaving trace elements of explosives that will go off at the wrong time in the future, forcing still more wild decisions that force them farther apart.

House of Cards has always been a show devoid of any happiness within its characters. I hope and expect that to continue. I don’t see a fitting end with Claire – or Frank – reclining behind the Resolute desk in comfortable power. Both are almost certain to fall with their lies and misdeeds exposed, and I wouldn’t be surprised if either ends up dead.

Let’s get to something I didn’t like about this season: The introductions of Mark Usher and Jane Davis. Both characters are “fixers” orchestrating things outside of what we see in each episode. Mark feels slightly more two-faced than Jane for the way he turned on Will Conway. Does anyone really think Frank would let someone so close to him who so easily broke his candidate’s trust? Unless Frank had Mark in place from day one for exactly that purpose, I highly doubt it. The contrast between Usher and Doug Stamper is enormous.

But both Usher and Davis strike me as too convenient in a show that needs to avoid convenience as much as possible to maintain its credibility. Jane knows exactly the right foreign player at exactly the right time and Mark’s loyalties shift in the right direction at the right moment. I think there’s a lot to yet learn about both of them (how did Jane get LeAnn’s gun?) and I hope they explore it more in season six. If they’re both working for Frank – entirely possible – I could accept it but I would have to be really thrown for a loop to buy into anything else.

This is a minor quibble. There’s plenty the show still does right. I enjoy the way it jumps ahead of scenes and events so we don’t have to sit through inevitabilities. Catherine falling down the steps is a good example. There’s no need to show us Frank feigning dismay when security crews get there. We know he’s a liar. Skipping the second election day is another one. I also loved the way it split season five basically in half between the election and the aftermath, using the former to lay the groundwork or the later.

I think it ultimately laid the groundwork for season six, making season five a transition season. This whole story has been the odyssey of the Underwood’s pursuit of incrementally more power. Now that they both achieved the most powerful office in the world, there’s only one type of power left for conquest: Power over the other.

Big Little Lies Review: Wow does this show suck

HBO’s Big Little Lies starts with a view of the Bixby Bridge, so I’m thinking it can’t be that bad. I’m a sucker for anything set in California, it’s true. Bosch, 24, Goliath. I’ll like anything that’s set in LA. Except for NCSI: Los Angeles. I have standards.

This show doesn’t meet them. It’s garbage. Hot, hot, there must be an empty package of chicken in there and I should have emptied it before I left for work, garbage.

Did you see that movie Passengers? With Jennifer Lawrence and some beautiful guy? Remember how bad that was? How it was like, “Let’s make a movie about two beautiful people acting out some lines. Doesn’t matter what lines. Any lines. Add a space ship.” That’s Big Little Lies. But they swapped out the space ship for California and its Nicole Kidman and Reese Witherspoon. Plus a Laura Dern character that is so stereotypical it makes, nah. Let’s not go there.

My theory is that Reese Witherspoon has never played a character with a personality that exists in the real world.Then again, you meet people in California who make you think, “Wow. That personality does exist. Hollywood didn’t just make it up.” Still, her character’s dialogue is so inauthentic that I can’t get past it to even care about her rolled ankle and her—get this—kid that is way smarter and more aware than a kid would normally be. Groundbreaking concept.

The first two episodes have this thing where they jump from the show to these interviews with the peripheral characters. We learn in the big reveal that they’re police interviews. Yeah, that’s the big reveal. They talk about someone who died but they don’t actually show you who died.

That’s supposed to be the thing? I’m supposed to wonder who died?

Did I mention someone choked a kid, and it might be another kid who’s psycho.

No, this show is terrible. The characters aren’t likable, hateable or interesting, which means they’re boring and you don’t care about them or the story they’re involved in. Which isn’t even really a story.

The only good thing about Big Little Lies is that the terrible character played by Laura Dern lives in the same house Nolan Ross lived in during season on of Revenge.

Oh, so this husband randomly loses his temper when talking about a kid losing his temper. That’s out of nowhere and there’s more of it in the second episode. It’s so forced. I can’t even write about this show anymore because it’s so bad. Life is too short.

Save Yourself From The Exorcist

Ok let’s go on The Exorcist. I own the movie and wasn’t that impressed. I’m really down on this thing where FOX is bringing movies into TV shows. But hey it’s online and not locked behind a stupid paywall like CBS. I’m sure CBS has some great shows but if I miss them on their original air date I’m sure as hell not going to pay to watch them.

I’m curious if this will try to be a horror TV show. I think that would be very tough to bring on a weekly basis.

When I watch shows on something other than Amazon, I really miss the Amazon x-ray feature. Especially premieres.

Did they make this guy talking outside the church look like a clown on purpose? I don’t get the whole clowns thing but it’s pretty creepy.

Thinking. I loved Bates Motel, and that was a movie adapted to TV. Too bad A&E canceled Longmire and I pledged never to watch the channel again. Except for The First 48. I’m a hypocrite.

It’s hard to hear this dialogue. The background noises are too loud. It’s also very dark. Hard to see faces.

They’re clearly holding back the first shot of a possessed kid tied to a bed. It better be worth the reveal.

Marcus loves himself some Marcus. He’s quite poetic. It feels like a movie character, actually.

Plenty creepy!

This couple obviously has something we don’t know. What is it? A death? Feels like death of a child? When will they show us?

This is completely failing to keep my interest. But This Is Us and Pitch have shown that we need to stick around to the end of a pilot.

So there is something inside they’re house and that’s supposed to be interesting. “It’s a demon.” Well okay then. It’s trying to take your daughter? Well that sounds awful!

The thing with the crow was stupid as hell. I’m embarrassed that it happened.

I stopped paying attention. This show is crap.

Pitch Hits The Zone

I don’t have many expectations for Pitch. FOX has been buying ads during MLB.tv inning breaks that feature its baseball broadcasting talent. That makes me immediately suspicious that it simply made up a show to draw eyes to remind that it has the MLB post season.

Given the way ratings suffered the past several seasons, that might not be a bad strategy. Any new TV show has a pretty good chance of failing miserably, so why not spend your pilot money on something that could boost your (very, very expensive) live sports programming?

Okay, let’s see how this goes.

(The Exorcist is a new show? I’m concerned that TV is spiraling down the movie industry’s rat hole of recycled ideas. Let’s not.)

Of course the show about the first female player in baseball history starts with a shot of her legs getting out of bed. Come on, try a little bit here.

Greeting cards from Ellen and Hillary Clinton, product placement from Callaway and Nike. Headphones that don’t say beats but sure look like them. Maybe I was too narrow in what I thought FOX wanted to promote.

Hey it’s Colin Cowherd with a hot take.

It took three minutes for the main character to speak.

You know who would have been great in this dad role? My guy Shemar Moore. He might not be old enough though.

The Padres GM has made an appearance. In real life he is on a one-month suspension for hiding injury records.

If we get the same stereotypical crap here that we got from the military guy in Designated Survivor. Whether it’s players or this dreadful agent/publicist character or whatever it’s gonna get old. Fast.

The number 43 is a great touch.

While we’re here, can we talk about the Padres uniforms?

Actually, Kim Kardashian is very talented. I will go to bat on this.

Hey they’re gonna play the Dodgers! This is great!

What is this live video thing? Is it part of the show or a commercial? Oh god it’s a Kohls commercial. This is hot garbage. And it might be the future of TV.

One thing to think about here is the main character is an athlete, so she’s going to act like an athlete. The public version of most athletes would make a terrible TV character, so that’s something to keep in mind. We’ll have to draw a distinction between how the character is written when she’s in “athlete mode” and when she’s not.

But one thing that doesn’t have to be acting is the TV broadcast characters. They should just be able to do their thing, right? That’s what FOX hired them for! I don’t think Joe Buck did. Reminder: I love Joe Buck.

Couldn’t they have cast a southpaw? 🙂

Where have I seen this kid actress? I she the one in Mistresses? I’ll have to look it up. I looked it up. She is. She’s outstanding on Mistresses – well-written and well acted.

Let’s get back to the product placement issue. That’s what we’re used to in sports now. You can’t look anywhere without a logo. So I guess it adds some realism. And this George Clooney commercial about a coffee maker? That was filmed at the Warner Bros. lot.

Oh come on you can’t use real Dodgers? Actually I bet FOX would have gotten way more promotion if it had been able to get Vin Scully. Not only would it be awesome, but Vin was friends with Jackie Robinson so it would be fitting.

Hey this is like watching the Twins pitch! Sorry that was uncalled for. The Twins are worse.

About the decision to have her get off to a dreadful start. From a story perspective, it’s good emotion. It makes me identify with the character. It’s also realistic. Not every debut is Rob Segedin. Wait wasn’t she a starter? You don’t take your starter out that quick. Hey this is a TV show not real life, Watterson.

Remember Matt Fox? Not the actor, Matt Fox the guy the Twins called up in September during a pennant race.

This scene in the hotel is what we should judge the Ginny character by, not the athlete stuff. And it’s good.

He’s right about her being this catcher’s legacy. On and off the field.

Joe Buck can be sarcastic at times, but he is way too professional to ever make a joke like that.

If she beats the Giants you know Pitch is committed to realism.

OMG I just realized the catcher is Zach Morris. WTF. I feel like my life has come full circle. I’m blogging about a show where Zach Morris is a baseball player.

As with every Hollywood production about sports, they managed to find actors with next to no actual athletic ability.

Have you ever held a sparkling white official Rawlings baseball? It’s a beautiful thing. From a pitching perspective, if her fastball tops out in the upper 80s isn’t she basically a screwball version of a knuckleballer.

If this were real life and the manager slapped her butt we’d have a national controversy the likes of which would drive us all off social media forever.

We can add the owner to the list of stereotypical characters.

This better get over, it’s almost time for Dodger baseball.

Hey wait. I approve of what has happened here.