Take yourself Hostages

Image credit: CBS.comWe all take the risk of being wrong or exposing our stupidity when publish our thoughts, and I don’t want to mock someone else whose opinion turns out that way. But when someone is so completely and spectacularly wrong I can’t help but point it out. I did it last summer with a guy who thought watching television was a waste of time, I’ll do it today with this guy who thought the new CBS drama Hostages was terrible.

His brilliant “review” began with this sterling exhibition of prose:

“Who gives a damn. This show is unlikeable.”

Wow. I’m convinced. Hostages must be pretty bad. LOL. He goes on to judge the whole episode based on his belief that the opening scene should have been longer. Not whether or not it was any good. Nope. Just thought it should be longer. Instead of taking the show as a whole he seemed to stop thinking about it right there.

By doing so he completely missed what Hostages is about: The hostages versus their captors. In trying to sound like a sophisticated critic who could tear down a show, the genius expected the entire story to play out in its first episode.

Look at some of his assertions and how they are now known to be completely wrong.

There is no background about the president. He is correct in the sense that the president didn’t figure prominently into the premiere but wrong to think he has to be a central figure in the show. The writers outsmarted him and came up with a creative way to tell a story about an assassination attempt that doesn’t revolve around a presidential character. Making the president secondary reenforces the fact that the show’s central conflict is the Sanders family versus Agent Duncan Carlisle.

The Sanders family is not endearing. Labeling them all unlikeable blinded him to the beginning of the storylines that have played out since. The father’s affair, the daughter’s pregnancy and the son’s drug problem all played major roles in advancing the story and the characters later on. They helped pull the family together for its attempt to escape, which cemented us on their side in their fight against Agent Carlisle. Speaking of…

Carlisle is dumb. He was sort of right in asserting Duncan Carlisle was not smart enough to execute an assassination plot because the show has since revealed he is not the mastermind. We’re getting glimpses of who might be, and I expect we will soon know for sure as we head into the second half of the season. Then we will fill in the answers the reviewer claimed should have been answered in its first episode.

In his last attempt to sound intelligent, the author posits that Carlisle and Dr. Sanders know each other. It’s pretty sad, really, watching someone grasp at straws to prove his value as a blogger. It’s especially sad in this case, because the blogger is me!

I really blew it on this one. I was certain Hostages stunk. The early ratings backed me up and continue to with last week’s episode hitting a series-low 1.1 share. But I can’t hide behind the ratings.

Hostages has done a great job of giving us a story I didn’t see coming. I was so focused on the “assassinating the president” part that I didn’t see what the pilot put in front of us. It isn’t about the president at all. It’s about how this doctor and her family – her imperfect family – handle Duncan Carlisle holding them hostage.

It resembles Lost in that way. Being taken hostage and ordered to kill the president is the Sanders’ Flight 815. Being followed and monitored every hour of every day is their struggle to survive on the island. They all must confront mistakes from their life before captivity. The father had an affair, the daughter became pregnant, the son owed money to a drug dealer. Dr. Sanders faces the moral dilemma of her family’s life versus the presidents. When I said I could get behind a good story, this is what I meant!

Duncan Carlisle is a hostage in his own life, pinned in this plot he did not conceive. He cannot walk away and must, just like his captives, improvise his way through a situation that was never supposed to go on this long.

If I though it was so bad, why did I watch after the premiere? I’m not sure. Maybe I didn’t trust what I wrote. I enjoyed finding ways to say it stunk and got so caught up in the fun that I wrote what I thought would be entertaining instead of being accurate. Hostages is what I profess to enjoy about TV. Its characters are real and their decisions are driving the story, and I missed it.

CBS, like all networks, stupidly does not keep shows online during their first season. I cannot for the life of me understand why. If a new show picks up buzz halfway through its season, wouldn’t they want new viewers to be able to catch up? Instead they’re telling us, “Too bad. We don’t want you watching our new shows unless you were there in the beginning.” They learned nothing from the way Breaking Bad grew its audience through Netflix.

Unfortunately that means if you took my advice and stopped watching or never watched Hostages you don’t have a way to catch up. Blame me. When it comes on Netflix I encourage you to check it out. It’s good stuff.

Image credit: CBS.com

Person of Interest: The perfect scene

root_tbThere are just some scenes. As you watch them, you know you’re watching the writers, actors, editors and everyone involved at their best. Michael Emerson gave us a lot of them as Ben Linus; he gave us another one as Harold Finch.

The plot from last week’s Person of Interest was too complex to summarize here, so click over to CBS for the full recap.  It brushes over the scene with barely a mention, so that is where I will focus.

It is the last scene. Jason Greenfield is on his way to Cartagena, Timothy Sloan is safe, Jason Collier is still free. Much to her frustration, Root is not. Shaw clubbed her after they helped Greenfield escape the CIA and turned her over to Harold.

Here it is.

Everything thing about the exchange is gold. The dialogue is crisp and the footage is edited for perfect timing, showing the right reactions to the right words at the right time. Harold and Root. He wants to keep The Machine hidden, she wants to set it free. For the moment he has the upper hand. Physically, he has her trapped and cut off from any electronic communication that could connect her to The Machine. (You remember what a Faraday cage is, I hope.) Mentally, he poked a hole in her belief that she has a special communion with it. They kept the shot of her face reacting to Harold’s final line so we could see her realize he may share it, too. Perfect.

What Harold knows about The Machine’s new third category, which Jason Greenfield fell under, is unclear. He may be holding Root because The Machine needs him to or because he wants her cut off until he can figure out what is going on.

What is going on with Root and The Machine? The episode gave us a little more to add to the piece I posted last week.

Watch it here from CBS.

The third category and what we know about it may not be any more than what Harold does. Root’s mission from The Machine was to use Shaw to help Greenfield escape CIA custody and flee to Cartagena in Columbia. There he will seek out a bar with a man named Ruiz. Why? Root does not know, she leaves big-picture questions to The Machine. It sees itself (I’m going to avoid using feminine pronouns to describe The Machine for the sake of simplicity in writing about an inanimate female character and an animate one) facing an existential threat that, apparently, Root can help it neutralize. That’s why one of its first acts after rebooting was to retask Root to the “Analog Interface” and break her out of the psychiatric hospital.

The source of the threat could be Peter Collier. Collier is revealed to be the leader of a hacker group by the name “Vigilance.” Wayne Kruger, you’ll recall, found a data mining company that made him a target for Collier in the season’s second episode. Murdering Kruger was the event that caused Jason Greenfield to report Vigilance to the government, which is how he ended up in a cell next to Root at a CIA black site. That is exactly where The Machine knew he would be, and putting Root there to break him out shows how well The Machine can predict events. It makes you wonder how far into the future it can see.

Vigilance protests government surveillance. Jason Collier, meet Edward Snowden. I said before I down want the show to incorporate that affair into its storylines, and I can’t be certain this wasn’t the direction the writers planned for season three last spring. After Harold and Reese saw the week’s number to safety — Jason Greenfield’s brother — Reese expressed his suspicion that we haven’t heard the last of Collier and his band of hackers. I guess that’s how it will be. Person of Interest is a well-done show, as evidenced by the scene I broke down at the beginning, so I trust they can do the story well.

Image credit: CBS.com

Note: I’d have the video embedded instead of linked if I knew a d*rn thing about how the Internet works.

Revenge “Dissolution” snap reaction

Jack Porter“Love built on lies is an arduous endeavor, for wherever passion and treachery meet, dissolution begins. Still we fight to hold our ground in the emptiness, ignoring the fact that every relationship, even the ones we cherish, inevitably dies.”

Of course Nolan does morning hydrotherapy.

Emily is way out of line telling Nolan he can’t be involved with Patrick.

What does Charlotte have against Emily and Daniel get married? I forget.

Victoria lied to Charlotte about who really cut Conrad’s breaks. That is so Victoria to lie to her daughter in order to lie to their father.

Do rich people really get together for fancy breakfasts? It’s just breakfast. Have some Wheat Chex and an orange.

“Good morning kitten, it’s lovely to have you back in the litter.” Weird Conrad.

Victoria’s Pop Tart joke, hilars.

Emily is stupid going to the guest house to see Aiden. This is not how a covert evil-doer would go about her business.

Oooh, way to protect your…art gallery…from Conrad. Oh and then drop the tampered brakes bomb! Is she manipulating him by thanking him?

Daniel wears a tie clip like a sissy.

Hey the car crash girl. Not a bad return, should have seen it coming after the profile bit from a few weeks ago. He deserved that ripping.

Charlotte, this is what I was talking about when I urged you to not turn into your mother. Your brother is right about Sarah, reporting her for being rude is not nice.

“Guess what we have? Foundation issues.” – Emily to Daniel. No kidding.

I continue to believe Emily is far too sloppy with her proximity to Aiden. They shouldn’t be talking at the Grayson’s or at her house.

A beach in the Maldives. Why would they mention that?

“I think he’s the one.” – Really, Nolan? I mean, really? AND THEN STUPID JACK OPENS HIS STUPID JACK MOUTH. Major LMAO at Nolan thinking he was dropping a bomb on Jack about Emily’s identity.

The lighting on this construction scene is exceptionally bad. It’s an interior set and they usually do an okay job but that was bad.

Is there a such thing as a forensic realtor? Because if Conrad had one I have to think you’d be able to tell that a house isn’t really sinking.

Smart play by smart Jack to pretend he didn’t know about Emily. Then trying to turn Nolan against Patrick. Is Emily putting him up to this? I can’t imagine Jack would come up with it on his own. He flipped him from “the one” to an ex in one conversation.

So why bring Sarah back? Charlotte gets her a job, then what? Will she try to put her between Daniel and Emily?

“What do you know Conrad, we’re slipping into the sea!” – Victoria’s second great line.

“This pile hasn’t been a home for years.” – Not as good as the other two, but good. This is a divorce bomb?

There they go holding hands on the beach. How has Victoria, who never trusts anyone, not put a PI on Aiden and caught this yet?

“You know if we can’t sell this place perhaps we’ll just turn it into a home for wayward boys. She’s got her bastard, her Brit…and you.” – Conrad. Sharp stuff tonight.

Charlotte getting Sarah fired was for a good reason? Nice.

Now Emily is mad that Nolan let Jack go to Conrad about Patrick. “circling planet Emily.” Awesome. Nolan and Jack are doing a great job contrasting with Emily to bring out all of her faults this season.

Conrad put the fortune in gold? Didn’t figure him for a Glenn Beck fan.

When you ask how someone learned of damning information, you are confirming it.

Looks like Aiden spooked Emily with this begone and never see them again talk. She won’t want to leave Jack and Nolan behind.

Patrick is too confused by this to stay away.

“In this last bit of time we have…” – Emily to Jack and Nolan.

Oh god. No death faking please.

Photo credit: ABC

Agents of S.H.I.E.L.D, Coven and two comedies

The second of two posts running down new fall shows on my schedule. Catch up with part one.

Agents of S.H.I.E.L.D. – ABC Tuesdays

SHIELD Agent Phil Coulson played by Clark Gregg.
SHIELD Agent Phil Coulson played by Clark Gregg.

Every few years I pull out my old comic book collection from the early 90s and re-realize I outgrew them. It took the first half of the Agents of S.H.I.E.L.D pilot for me to re-re-realize it. I didn’t think it was bad. It just wasn’t for me.

After hearing good things about it on social media I gave it a second look. It is actually not too bad. Yes, it’s very comic book-ie, but it seems to do it well. I have even less familiarity with the Marvel universe than I do the headless horseman of Sleepy Hollow so most of the mythology goes over my head. Otherwise it’s clean, simple fun.

American Horror Story – FX Wednesdays

The yearly telenovela from FX normally gets its own treatment but until it proves it can match its first season it will stay here with crap like Brooklyn Nine-Nine.

Season one was a fantastic mix of acting and demented storytelling. Dylan McDermot and Connie Britton left for other projects (Nashville and, now, Hostages, respectively). Jessica Lange and Evan Peters stayed to be joined by Sarah Paulson, Lily Rabe and James Cromwell in season two but they couldn’t rekindle the magic. The scene in season one when Britton and McDermit’s daugther, played by Taissa Farmiga, tried running away but only ended up running in circles into and out of the house because she was dead remains one of my favorite scenes in any show. AHS didn’t come close to that level in season two.

Nor has it so far in season three. Lange and Paulson continue to star as witches at a coven in New Orleans. Farmiga is the latest young witch to be taken in by the group. Peters takes on the role of a frat boy killed in a bus accident and sewn back together in a scene so amateur hour that it felt like an after school special on the Hallmark Channel.

None of the new story is interesting. Jessica Lange was gold in season one but seems to have only played diluted versions of the same character since then. The Harmon’s haunted house featured a dead maid trying to seduce Dylan McDermot; the coven in season three was stormed by zombies.

Maybe it’s time we all admit season one was as good as it’s going to get.

The most unbelievable thing I will probably ever write here…

I’m liking some sitcoms.

Falling for Criminal Minds forced me to question everything about my post-Lost television snobbery. Falling for a couple of sitcoms this fall is personally shocking but I don’t feel the least bit guilty about it. You’re always allowed to enjoy funny.

Mom – CBS Monday

You’ll always have me at Allison Janney and Anna Frris, I will say that upfront. Faris got pregnant as a teenager with her daughter who is now, you guessed it, a pregnant teenager. Janney was a terrible mother who drank, ran drugs and gave her daughter several potential stepfathers. This makes the humor quite a bit more adult than I was expecting on a primetime network, but I’ll take it. A little sanitized dirty humor never hurt anybody.

Beyond the laughs — I can’t believe I’m going to say this — I. Like. The. Story. Of. This. Sit. Com. And. I. Care. A. Bout. The. Charac. Ters. Faris wants to be a better mom for her kids than she had and gets sympathy when her pregnant daughter turns to Janney for support. Janney, in turn, sees that she can be as a grandmother what she never was as a mother. It’s all very nice and the timing between Lanney and Faris is perfect.

Despite being mostly panned before its premiere CBS picked up Mom for a full season.

Trophy Wife – ABC Tuesday

The melded family ensemble show works as well as its kids, and Trophy Wife has good kids. Two teenagers from Bradley Whitford’s first marriage are as funny and awkward as you’d expect them to be. His adopted son with his second wife is the overly-smart provocateur who tends to speak Yiddish. The wives are stereotypical and Whitford’s new wife, Malin Akerman, is trying to make herself look legitimate in everyone’s eyes after meeting him in a bar.

That isn’t the most rousing summary of a good show but the adults are good and the writers let the kids do their thing. Akerman downs a water bottle full of vodka to cover for the teenage girl in one episode and gives the adopted boy an iced coffee in another after letting him stay up all night. In one episode they learn the oldest daughter is hooking up with “Ace McBrady” and confront her about it in a party scene that had me on the floor.

ABC released the pilot online weeks before it aired and critics like it. You can jump in at anytime without missing a beat.

Sleepy Hollow, The Blacklist top new fall shows

Every season new shows pop up that I enjoy but don’t earn enough time and thought to warrant the kind of attention I give to Revenge, Person of Interest and others. I broke these into two posts, the second will include two shows that I never, ever in my wildest imagination thought I would talk about on my blog.

Part One: Sleepy Hollow, The Blacklist, Brooklyn Nine-Nine

Part Two: Agents of S.H.I.E.L.D., American Horror Story, and two surprises.

Sleepy Hollow – FOX Mondays

I came into Sleepy Hollow knowing none of the background. My ignorance made the first 45 minutes of the pilot pretty difficult as a headless horseman ran around town swatting heads of unsuspecting residents. The first to go was the sheriff who Lost fans know better as Kelvin Inman. What a let down.

The last 15 minutes roped me in. Mysterious devils appeared, a man got his neck snapped completely backwards. That’s what I’m talking about! I posted a snap reaction with more thoughts if you care to read them.

Sleepy Hollow has stayed pretty good since then but it is falling under the post-Breaking Bad hangover I mentioned in my Minnesota Bloggers Conference recap. After watching the crisp seriousness of Walter White’s story arc I can’t get into a headless horseman the way I could before the binge. I still enjoy it, but I don’t take it seriously.

Hostages – CBS Mondays

I savaged the pilot but will have more to say soon.

The Blacklist – NBC Mondays

James Spader
James Spader as Raymond Reddington on NBC’s The Blacklist.

If any show on this list elevates to more regular postings it will most likely this one. I read the pilot script from Alias right before I watched The Blacklist for the first time and couldn’t help but feel some similarities. There’s spying, a young woman, some mysterious CIA and FBI types. Okay that’s probably where the similarities end, and I must confess to never seeing an episode of Alias. Give me a break, I needed an intro.

The Blacklist is a list kept by Raymond Reddington, played wonderfully by James Spader. “Red” went off the grid 20 years ago to live a life in the information trade, before suspiciously turning himself in in the series’ opening scene. He will only work with Elizabeth Keen, a young FBI profiler played by Megan Boone. It is not a coincidence that Spader’s character re-emerged on her first day with the Bureau.

The first few episodes give us a look into Keen’s past but not a complete look. Reddington is tantalizing her with insinuations that there is more to her life than she is aware of (that’s an Alias similarity!), starting with her new husband. After he is brutally attacked in their home, Red prompts her to find a box hidden under their floor. It’s full of passports. Suddenly the man with whom she is going to adopt a child is a suspicious mystery.

Each episode features Reddington trying to take down one of the international bad guy son his list of names. Each plot gives us a little bit more of the story so we know it is clear his targets are linked for some reason and the reason likely has to do with Keen.

I like The Blacklist because it gives the clear indication that there is a lot more to what we’ve seen in its first month. Give me a show with some depth, a few shady government types and some decent drama and I’ll give you my attention. I’m a little apprehensive about Spader’s character turning into one of the good guy/bad guy roles TV has become infatuated with (see: Ben Linus, Walter White, et al). But that’s a concern for another day.

Brooklyn Nine-Nine – FOX Tuesdays

Andre Braugher is back! I was excited for Brooklyn Nine-Nine only for this reason.

What a disappointment. It is as if you took the worst parts of The Office and gave it the most stale jokes Twitter has to offer. It is not funny or entertaining. After the pilot I proclaimed I would burn my television and move to Dubai if it got more episodes than the great Last Resort, Braugher’s 2012 fall effort. Brooklyn got picked up for a full season, so very soon I will come to you and admit I broke this promise.